Dylan Gutierrez

Dylan Gutierrez started his dancing career in Los Angeles under the direction of his mother Andrea Paris at the Los Angeles Ballet Academy. In 2006 he left for london to train at The Royal Ballet School with a Full tuition scholarship and sponsorship from HSBC. He studied there for two years and graduated with Honours. At Graduation Dylan received the Cyril Beaumont Award. At Royal Dylan performed the Pas de Deux from Concerto by Kenneth MacMillan, Gallantries by David Bintley and Unwritten by Natalie Weir. The Pas de Deux from Suite Classique by Petal Miller Ashmole was created on Dylan, and performed in Palermo, Sicily, Orange County, California, and Dresden, Germany. Dylan Gutierrez has performed in such ballets as George Balanchines The Four Temperaments which was his debut performance with the San Francisco ballet. He has also danced the Arabian and Mouse King in Helgi Tomasson's Nutcracker. During San Francisco Ballet's 2009 season he danced in Helgi Tomasson's Prism Jerome Robbins' The Concert George Balanchine's Stravinsky Violin Concerto Jerome Robbins' West Side Story Suite and George Balanchine's Jewels.
Dylan is now a member of THE JOFFREY BALLET

Since joining The Joffrey Ballet, Dylan Gutierrez has danced The Summer and Autumn Cavalier in Fredrick Ashton's Cinderella, The Arabian Pas de deux in Gerald Arpino's Nutcracker, the lead man in Jessica Lang's Crossed, the second Pas de deux in Gerald Arpino's Reflections, and Gerald Arpino's Suite Saint Sans Pas de deux also has danced in Gerald Arpino's Sea Shadow pas de deux. Dylan has also danced the Aria 2 Pas de deux in George Balanchine's Stravinsky Violin Concerto and The Usher in Jerome Robbin's The Concert. Both premiered in The Joffrey Ballet's All Stars rep season. Dylan has also danced the Sea Shadow Pas de Deux by Gerald Arpino the Lead Man in Jessica Lange's Crossed, Dylan Gutierrez was also privileged to have performed in the retirement performance of Calvin Kitten and Suzanne Lopez, who will always be remembered for their positive and inspiring influence on young dancers.

Reviews:
By: Diandri, Ballet.co.uk

Her partner in Concerto was Dylan Gutierrez who has got himself a contract with the San Francisco company. In Concerto he was only required to demonstrate his considerable partnering skills, but in the second half he popped up in the evenings only featured solo (can't remember its title). He showed precisely why he'd got that contract demonstrating an excellent technique, outstanding dramatic potential & interestingly I found that he came across as adult. In fact he was one of the few students to come across as an adult professional dancer & not a little dancing boy. He exuded masculinity in his dancing & I am sorry that he won't be permanently in London with the RB, but I look forward to seeing him in September at the SW with the SFB. I am sure he will go far.

By: Laura Bleiberg, Orange County Register

"From the Royal Ballet School, Leticia Stock and Dylan Gutierrez performed Sir Kenneth MacMillan's 'Concerto Pas de Deux' (1966) with an almost stark precision. Still, the gorgeous fullness of their positions and the welling up of Shostakovich's Second Piano Concerto brought this duet to an emotional pinnacle.

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